The development of GU: Environment and Village Artist:Yen-Ling Mo
最初期蠱的故事出現了幾個引導視覺發展的關鍵字：東方、奇幻、愛情。其中的東方有地理環境與心理層面的意義，導演與我蒐集了許多雲南地景、各地奇山怪石的資料，而加拿大畫家Alfred Joseph Casson對於山林詮釋出既現代又東方味的風格也帶給我們很大的靈感，在設計時我運用這些元素並試著在畫面中做出軟、硬的區隔。在心理層面的東方情調，則以水墨中的色調、暈染、遠山薄霧來營造氣氛，讓畫面帶有些許神秘感。
The
first visual concepts of the Gu story incorporates the elements of
the East, Fantasy, and Love. The definition of East has a lot of
geographical and spiritual levels, the director and I gathered
references from Yúnnán and different styles of rocks and mountains.
We were also very inspired by Alfred Joseph Casson's art work, and
tried to apply the visual elements into the designs in it's soft and
hardness. As for the spirituality and softness of the East mood, with
the elements of Sumi and it's gradation to create the mood, giving
the visual designs a mysterious appeal.
女孩小屋風格測試彩稿 village
concept and development
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